With views this good, you’d be mad not to want to make the most of them, which is exactly what Phil and Rachel Goddard thought when they took on their home in the Warwickshire countryside

When Phil and Rachel Goddard bought their 1820s Georgian farmhouse in 2005, they found it odd that the front door faced south, looking up a steep slope.

‘Whoever designed the house totally ignored the amazing views at the back,’ says Phil, an arable farmer. ‘These look north across our 500 acres of rolling Warwickshire countryside. For some reason previous owners had failed to make the most of this fantastic vista.’

The house had five bedrooms (two in the loft) ‘so had plenty of space for our two teenage children,’ says Phil.

Great British Life: The ‘floating glass box’ designed by Hayward Smart Architects sits on top of the extended garden wall and provides open-plan kitchen, dining and sitting areas. There is a nine-metre-long rooflight, and the dormer windows on the top floor are new, replacing Velux windows. Built of a mix of Cotswold stone and ironstone, the farmhouse sits on a steep valley side in open countrysideThe ‘floating glass box’ designed by Hayward Smart Architects sits on top of the extended garden wall and provides open-plan kitchen, dining and sitting areas. There is a nine-metre-long rooflight, and the dormer windows on the top floor are new, replacing Velux windows. Built of a mix of Cotswold stone and ironstone, the farmhouse sits on a steep valley side in open countryside (Image: William Goddard)

Great British Life: The bookcase in the hallway replaces a door which led to the ground floor WC, but this has now been incorporated into the utility room. The stairs are original, with Roger Oates carpetingThe bookcase in the hallway replaces a door which led to the ground floor WC, but this has now been incorporated into the utility room. The stairs are original, with Roger Oates carpeting (Image: William Goddard)

Then in 2015 he and Rachel decided to expand their home. However it took another year for the building work to begin and almost another two before the family could move back in.

‘This is because we also had some internal work done,’ says Phil.

‘Although our house is large enough, it’s narrow, being one room deep with each room leading into another.’

So, during the build work, the family moved into a smaller barn on their land that had already been converted into a dwelling.

Great British Life: Phil GoddardPhil Goddard (Image: William Goddard)

What the couple wanted was a ‘floating glass box’ attached to the rear (or north) side of the house, comprising an open-plan kitchen, living and dining room. ‘We envisaged a huge wall of glass panelling so we could see for miles over the open countryside,’ he says.

Phil approached Hayward Smart Architects who not only were based close by in Shipston-on-Stour but had the sort of very modern design ideas he was looking for. One of the partners, Simon Hayward, came out to see him in November 2016.

‘I left it to the architects to come up with the actual design,’ says Phil. ‘They were so successful our extension was later shortlisted for the 2019 RIBA West Midlands Regional awards.’

Planning permission was granted within five weeks, rather to everyone’s surprise.

However, the building work took much longer than anticipated.

Great British Life: In the main bedroom, Steve Booker made the headboard and bed in black oak veneer. The headboard is designed to match the opposite wall of panelling both made from the same veneered plywoodIn the main bedroom, Steve Booker made the headboard and bed in black oak veneer. The headboard is designed to match the opposite wall of panelling both made from the same veneered plywood (Image: William Goddard)

Great British Life: In the main bedroom, Steve Booker made the headboard and bed in black oak veneer. The headboard is designed to match the opposite wall of panelling both made from the same veneered plywoodIn the main bedroom, Steve Booker made the headboard and bed in black oak veneer. The headboard is designed to match the opposite wall of panelling both made from the same veneered plywood (Image: William Goddard)

‘I remain unhappy with the contractors who took an extra 18 weeks more than the original 38-week contract, overcharged us and caused a lot of stress,’ says Phil. ‘We just about avoided a court case, mainly because Hayward Smart kept them up to the mark – in the shape of Nic Robinson, who became project architect. Unsurprisingly, the contractors went bust almost as soon as they’d finished our work.’

The 60-square-metre extension is clad in ‘pigmento’ red zinc panels and board-on-board cedar cladding, under a flat roof with sedum finish. A single bright red aluminium-clad column breaks up the north elevation. ‘I believe it’s a signature of Simon’s work, to include a bright red feature,’ says Phil. ‘The extension is actually slightly wider than the house and wraps round one corner of it. This is where two panels at right angles are designed to slide open for access to the outside.

Great British Life: The new family bathroom, which used to be their son’s bedroom. This, and the new en suite to the main bedroom, are fitted with Philippe Starck-designed furniture from DuravitThe new family bathroom, which used to be their son’s bedroom. This, and the new en suite to the main bedroom, are fitted with Philippe Starck-designed furniture from Duravit (Image: William Goddard)

‘At the same time, Simon reconfigured some of the rooms, starting with the top floor where we put in two dormer windows, replacing the old Velux windows. The children now each have an en suite bedroom up there.

‘On the first floor we knocked our bedroom and adjoining bathroom together to create our master suite – it takes up the whole width of the house now. Then we turned our son’s former bedroom into a family bathroom.’

As for the ground floor, they took down most of the north exterior wall in order to add the extension. They also shortened the sitting room by adding a wall in order to create a little kitchen-utility room, called the ‘Wash-Up'. To access the Wash-Up, they turned a mullioned window into a mullioned doorway.

Great British Life: The formal sitting room was shortened to make space for the mini-kitchen, and the mullioned door was created from a mullioned window. A red steel goalpost was used for structural support of the openingThe formal sitting room was shortened to make space for the mini-kitchen, and the mullioned door was created from a mullioned window. A red steel goalpost was used for structural support of the opening (Image: William Goddard)

Great British Life: Joiner Steven Booker made the plywood units. The white table is from the Conran Shop, and the red chairs from HabitatJoiner Steven Booker made the plywood units. The white table is from the Conran Shop, and the red chairs from Habitat (Image: William Goddard)

‘We found an amazing joiner called Steve Booker,’ says Phil. ‘He did all the joinery in the house in plywood with the end grain on show, and most of it with shadow gaps. It’s in the playroom, the office and the utility room as well. It’s either formica-faced or veneered in oak, aged oak or melamine. Steve also made our built-in wardrobes and our bed.’

Phil has nothing but praise for joiner Steve. ‘He did such a wonderful craftsman’s job,’ he says. ‘We’d already bought our new black melamine Siematics kitchen islands or we’d have asked him to build them as well. As it is, his work is everywhere in the house.

Great British Life: The ‘stone-flagged floor’ is actually composed of concrete tiles from MASS Concrete in Poole, Dorset, and were installed by Trainor Stone & Tile Ltd. The islands and heat-proof ceramic worktops are from SiematicThe ‘stone-flagged floor’ is actually composed of concrete tiles from MASS Concrete in Poole, Dorset, and were installed by Trainor Stone & Tile Ltd. The islands and heat-proof ceramic worktops are from Siematic (Image: William Goddard)

‘I initially wanted a poured concrete floor in the new extension but there wasn’t enough depth for it, so I chose large-format concrete tiles instead,’ he continues. ‘They match quite well with the original flag-stoned floor of Blue Lias in the old kitchen, which has now become a formal sitting area leading into the new extension.

‘The extension is unapologetically modern, but we felt worked well in contrast to the existing building,’ says Nic Robinson of HSA. 

Great British Life: The formal sitting room was the kitchen, and has its original flooring of Blue Lias. The family sold their old electric Aga and put in a woodburner with a concrete hearth and fluted concrete wall panels, supplied and installed by MASS ConcreteThe formal sitting room was the kitchen, and has its original flooring of Blue Lias. The family sold their old electric Aga and put in a woodburner with a concrete hearth and fluted concrete wall panels, supplied and installed by MASS Concrete (Image: William Goddard)

Nic added that HSA had worked closely with the specialist zinc contractor through a number of meetings on site. The colour of the zinc was chosen to reflect the colours found in the local walling stone. 

‘As with many of our projects, we undertook weekly site visits to ensure works were being carried out correctly, but also to answer any queries the contractors might have.’

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